Table of Contents
Chapter 1. Global Stock Music Market Executive Summary
1.1. Global Stock Music Market Size & Forecast (2022- 2032)
1.2. Regional Summary
1.3. Segmental Summary
1.3.1. By License Model
1.3.2. By End-user
1.4. Key Trends
1.5. Recession Impact
1.6. Analyst Recommendation & Conclusion
Chapter 2. Global Stock Music Market Definition and Research Assumptions
2.1. Research Objective
2.2. Market Definition
2.3. Research Assumptions
2.3.1. Inclusion & Exclusion
2.3.2. Limitations
2.3.3. Supply Side Analysis
2.3.3.1. Availability
2.3.3.2. Infrastructure
2.3.3.3. Regulatory Environment
2.3.3.4. Market Competition
2.3.3.5. Economic Viability (Consumer's Perspective)
2.3.4. Demand Side Analysis
2.3.4.1. Regulatory frameworks
2.3.4.2. Technological Advancements
2.3.4.3. Environmental Considerations
2.3.4.4. Consumer Awareness & Acceptance
2.4. Estimation Methodology
2.5. Years Considered for the Study
2.6. Currency Conversion Rates
Chapter 3. Global Stock Music Market Dynamics
3.1. Market Drivers
3.1.1. Rising Adoption of Subscription Models
3.1.2. Increasing Demand for Digital Music Formats
3.1.3. Growth of Audio and Video Streaming Services
3.2. Market Challenges
3.2.1. Lack of Ownership in Streaming Music
3.2.2. Integration Challenges in Digital Platforms
3.3. Market Opportunities
3.3.1. Expansion of Music Libraries Catering to Diverse Needs
3.3.2. Innovations in Digital Content Integration and Delivery
Chapter 4. Global Stock Music Market Industry Analysis
4.1. Porter's 5 Force Model
4.1.1. Bargaining Power of Suppliers
4.1.2. Bargaining Power of Buyers
4.1.3. Threat of New Entrants
4.1.4. Threat of Substitutes
4.1.5. Competitive Rivalry
4.1.6. Futuristic Approach to Porter's 5 Force Model
4.1.7. Porter's 5 Force Impact Analysis
4.2. PESTEL Analysis
4.2.1. Political
4.2.2. Economical
4.2.3. Social
4.2.4. Technological
4.2.5. Environmental
4.2.6. Legal
4.3. Top investment opportunity
4.4. Top winning strategies
4.5. Disruptive Trends
4.6. Industry Expert Perspective
4.7. Analyst Recommendation & Conclusion
Chapter 5. Global Stock Music Market Size & Forecasts by License Model 2024-2032
5.1. Segment Dashboard
5.2. Global Stock Music Market: License Model Revenue Trend Analysis, 2022 & 2032 (USD Billion)
5.2.1. Royalty-Free
5.2.2. Rights Managed
Chapter 6. Global Stock Music Market Size & Forecasts by End-user 2024-2032
6.1. Segment Dashboard
6.2. Global Stock Music Market: End-user Revenue Trend Analysis, 2022 & 2032 (USD Billion)
6.2.1. Television
6.2.2. Film
6.2.3. Radio
6.2.4. Advertising
6.2.5. Others
Chapter 7. Global Stock Music Market Size & Forecasts by Region 2024-2032
7.1. North America Stock Music Market
7.1.1. U.S. Stock Music Market
7.1.1.1. License Model breakdown size & forecasts, 2024-2032
7.1.1.2. End-user breakdown size & forecasts, 2024-2032
7.1.2. Canada Stock Music Market
7.1.2.1. License Model breakdown size & forecasts, 2024-2032
7.1.2.2. End-user breakdown size & forecasts, 2024-2032
7.2. Europe Stock Music Market
7.2.1. U.K. Stock Music Market
7.2.2. Germany Stock Music Market
7.2.3. France Stock Music Market
7.2.4. Spain Stock Music Market
7.2.5. Italy Stock Music Market
7.2.6. Rest of Europe Stock Music Market
7.3. Asia-Pacific Stock Music Market
7.3.1. China Stock Music Market
7.3.2. India Stock Music Market
7.3.3. Japan Stock Music Market
7.3.4. Australia Stock Music Market
7.3.5. South Korea Stock Music Market
7.3.6. Rest of Asia Pacific Stock Music Market
7.4. Latin America Stock Music Market
7.4.1. Brazil Stock Music Market
7.4.2. Mexico Stock Music Market
7.4.3. Rest of Latin America Stock Music Market
7.5. Middle East & Africa Stock Music Market
7.5.1. Saudi Arabia Stock Music Market
7.5.2. South Africa Stock Music Market
7.5.3. Rest of Middle East & Africa Stock Music Market
Chapter 8. Competitive Intelligence
8.1. Key Company SWOT Analysis
8.2. Top Market Strategies
8.3. Company Profiles
8.3.1. Addictive Tracks Ltd.
8.3.1.1. Key Information
8.3.1.2. Overview
8.3.1.3. Financial (Subject to Data Availability)
8.3.1.4. Product Summary
8.3.1.5. Market Strategies
8.3.2. Artlist Ltd.
8.3.3. Audio Network Ltd.
8.3.4. Bensound
8.3.5. MusicRevolution LLC
8.3.6. NEO Sounds Ltd.
8.3.7. Filmstro Ltd.
8.3.8. HookSounds
8.3.9. Music Vine Ltd.
8.3.10. Pixabay GmbH
8.3.11. Marmoset LLC
8.3.12. Shutterstock Inc.
8.3.13. Envato Pty Ltd.
8.3.14. Epidemic Sound AB
8.3.15. Footage Firm Inc.
Chapter 9. Research Process
9.1. Research Process
9.1.1. Data Mining
9.1.2. Analysis
9.1.3. Market Estimation
9.1.4. Validation
9.1.5. Publishing
9.2. Research Attributes