Table of Content

1 Market Overview
1.1 Over-Ear Studio Headphones Introduction
1.2 Market Analysis by Types
1.3 Market Analysis by Applications
1.4 Global Over-Ear Studio Headphones Market Size & Forecast
1.4.1 Global Over-Ear Studio Headphones Revenue in Value (2018-2029)
1.4.2 Global Over-Ear Studio Headphones Sales in Volume (2018-2029)
1.4.3 Global Over-Ear Studio Headphones Price (2018-2029)
1.5 Market Drivers, Restraints and Trends
1.5.1 Over-Ear Studio Headphones Market Drivers
1.5.2 Over-Ear Studio Headphones Market Restraints
1.5.3 Over-Ear Studio Headphones Trends Analysis
1.6 Economic Analysis of Global Regions
1.7 Inflation Analysis
1.8 The Impact of the Russian-Ukrainian War on the Market
1.9 Coronavirus Disease 2020 (COVID-19) Impact on Global
2 Manufacturers Profiles
2.1 Rode
2.1.1 Business Overview
2.1.2 Rode SWOT Analysis
2.1.3 Rode Over-Ear Studio Headphones Products and Service Offered
2.1.4 Rode Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.2 Sony
2.2.1 Business Overview
2.2.2 Sony SWOT Analysis
2.2.3 Sony Over-Ear Studio Headphones Products and Service Offered
2.2.4 Sony Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.3 Audio-Technica
2.3.1 Business Overview
2.3.2 Audio-Technica SWOT Analysis
2.3.3 Audio-Technica Over-Ear Studio Headphones Products and Service Offered
2.3.4 Audio-Technica Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.4 Sennheiser
2.4.1 Business Overview
2.4.2 Sennheiser SWOT Analysis
2.4.3 Sennheiser Over-Ear Studio Headphones Products and Service Offered
2.4.4 Sennheiser Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.5 Beyerdynamic
2.5.1 Business Overview
2.5.2 Beyerdynamic SWOT Analysis
2.5.3 Beyerdynamic Over-Ear Studio Headphones Products and Service Offered
2.5.4 Beyerdynamic Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.6 AKG
2.6.1 Business Overview
2.6.2 AKG SWOT Analysis
2.6.3 AKG Over-Ear Studio Headphones Products and Service Offered
2.6.4 AKG Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.7 Ultimate Ears
2.7.1 Business Overview
2.7.2 Ultimate Ears SWOT Analysis
2.7.3 Ultimate Ears Over-Ear Studio Headphones Products and Service Offered
2.7.4 Ultimate Ears Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.8 Etymotic
2.8.1 Business Overview
2.8.2 Etymotic SWOT Analysis
2.8.3 Etymotic Over-Ear Studio Headphones Products and Service Offered
2.8.4 Etymotic Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.9 Mackie
2.9.1 Business Overview
2.9.2 Mackie SWOT Analysis
2.9.3 Mackie Over-Ear Studio Headphones Products and Service Offered
2.9.4 Mackie Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.10 Pioneer
2.10.1 Business Overview
2.10.2 Pioneer SWOT Analysis
2.10.3 Pioneer Over-Ear Studio Headphones Products and Service Offered
2.10.4 Pioneer Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.11 Shure
2.11.1 Business Overview
2.11.2 Shure SWOT Analysis
2.11.3 Shure Over-Ear Studio Headphones Products and Service Offered
2.11.4 Shure Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.12 KRK Systems
2.12.1 Business Overview
2.12.2 KRK Systems SWOT Analysis
2.12.3 KRK Systems Over-Ear Studio Headphones Products and Service Offered
2.12.4 KRK Systems Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.13 Austrian.Audio
2.13.1 Business Overview
2.13.2 Austrian.Audio SWOT Analysis
2.13.3 Austrian.Audio Over-Ear Studio Headphones Products and Service Offered
2.13.4 Austrian.Audio Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.14 Superlux
2.14.1 Business Overview
2.14.2 Superlux SWOT Analysis
2.14.3 Superlux Over-Ear Studio Headphones Products and Service Offered
2.14.4 Superlux Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.15 HiFiMan
2.15.1 Business Overview
2.15.2 HiFiMan SWOT Analysis
2.15.3 HiFiMan Over-Ear Studio Headphones Products and Service Offered
2.15.4 HiFiMan Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.16 Audeze
2.16.1 Business Overview
2.16.2 Audeze SWOT Analysis
2.16.3 Audeze Over-Ear Studio Headphones Products and Service Offered
2.16.4 Audeze Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.17 Campfire Audio
2.17.1 Business Overview
2.17.2 Campfire Audio SWOT Analysis
2.17.3 Campfire Audio Over-Ear Studio Headphones Products and Service Offered
2.17.4 Campfire Audio Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.18 Philips
2.18.1 Business Overview
2.18.2 Philips SWOT Analysis
2.18.3 Philips Over-Ear Studio Headphones Products and Service Offered
2.18.4 Philips Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.19 Koss Stereophones
2.19.1 Business Overview
2.19.2 Koss Stereophones SWOT Analysis
2.19.3 Koss Stereophones Over-Ear Studio Headphones Products and Service Offered
2.19.4 Koss Stereophones Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.20 Samson
2.20.1 Business Overview
2.20.2 Samson SWOT Analysis
2.20.3 Samson Over-Ear Studio Headphones Products and Service Offered
2.20.4 Samson Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
2.21 Status
2.21.1 Business Overview
2.21.2 Status SWOT Analysis
2.21.3 Status Over-Ear Studio Headphones Products and Service Offered
2.21.4 Status Over-Ear Studio Headphones Sales, Price, Revenue and Gross Margin
3 Global Over-Ear Studio Headphones Market Competition, by Manufacturer
3.1 Global Over-Ear Studio Headphones Revenue and Market Share by Manufacturer
3.2 Market Concentration Rate
3.2.1 Top 3 Over-Ear Studio Headphones Players Market Share in 2022
3.2.2 Top 6 Over-Ear Studio Headphones Players Market Share in 2022
3.2.3 Market Competition Trend
3.3 Over-Ear Studio Headphones Players Head Office, Business Provided
3.4 Over-Ear Studio Headphones Mergers & Acquisitions
3.5 Over-Ear Studio Headphones New Entrants and Expansion Plans
4 Market Segment by Type
4.1 Global Over-Ear Studio Headphones Revenue in Value by Type (2018-2029)
4.2 Global Over-Ear Studio Headphones Sales in Volume by Type (2018-2029)
4.3 Global Over-Ear Studio Headphones Revenue in Price by Type (2018-2029)
5 Market Segment by Application
5.1 Global Over-Ear Studio Headphones Sales in Volume by Application (2018-2029)
5.2 Global Over-Ear Studio Headphones Revenue by Application (2018-2029)
5.3 Global Over-Ear Studio Headphones Price by Applications (2018-2029)
6 Global Over-Ear Studio Headphones Market Analysis by Regions
6.1 Global Over-Ear Studio Headphones Sales, Revenue and Market Share by Regions
6.1.1 Global Over-Ear Studio Headphones Revenue by Regions (2018-2029)
6.1.2 Global Over-Ear Studio Headphones Sales Volume by Regions (2018-2029)
6.2 North America Over-Ear Studio Headphones Revenue and Growth (2018-2029)
6.3 Europe Over-Ear Studio Headphones Revenue and Growth (2018-2029)
6.4 Asia Pacific Over-Ear Studio Headphones Revenue and Growth (2018-2029)
6.5 South America Over-Ear Studio Headphones Revenue and Growth (2018-2029)
6.6 Middle East and Africa Over-Ear Studio Headphones Revenue and Growth (2018-2029)
7 North America Over-Ear Studio Headphones by Country, by Type, and by Application
7.1 North America Over-Ear Studio Headphones Revenue by Type (2018-2029)
7.2 North America Over-Ear Studio Headphones Revenue by Application (2018-2029)
7.3 North America Over-Ear Studio Headphones Revenue, Sales and Market Share by Countries
7.3.1 North America Over-Ear Studio Headphones Revenue in Value by Country (2018-2029)
7.3.2 North America Over-Ear Studio Headphones Sales by Country (2018-2029)
7.3.3 United States Over-Ear Studio Headphones Revenue and Growth (2018-2029)
7.3.4 Canada Over-Ear Studio Headphones Revenue and Growth (2018-2029)
7.3.5 Mexico Over-Ear Studio Headphones Revenue and Growth (2018-2029)
7.4 North America SWOT Analysis
8 Europe Over-Ear Studio Headphones by Country, by Type, and by Application
8.1 Europe Over-Ear Studio Headphones Revenue by Type (2018-2029)
8.2 Europe Over-Ear Studio Headphones Revenue by Application (2018-2029)
8.3 Europe Over-Ear Studio Headphones Revenue, Sales and Market Share by Countries
8.3.1 Europe Over-Ear Studio Headphones Revenue in Value by Country (2018-2029)
8.3.2 Europe Over-Ear Studio Headphones Sales by Country (2018-2029)
8.3.3 Germany Over-Ear Studio Headphones Revenue and Growth (2018-2029)
8.3.4 France Over-Ear Studio Headphones Revenue and Growth (2018-2029)
8.3.5 United Kingdom Over-Ear Studio Headphones Revenue and Growth (2018-2029)
8.3.6 Russia Over-Ear Studio Headphones Revenue and Growth (2018-2029)
8.3.7 Italy Over-Ear Studio Headphones Revenue and Growth (2018-2029)
8.3.8 Nordic Over-Ear Studio Headphones Revenue and Growth (2018-2029)
8.4 Europe SWOT Analysis
9 Asia Pacific Over-Ear Studio Headphones by Country, by Type, and by Application
9.1 Asia Pacific Over-Ear Studio Headphones Revenue by Type (2018-2029)
9.2 Asia Pacific Over-Ear Studio Headphones Revenue by Application (2018-2029)
9.3 Asia Pacific Over-Ear Studio Headphones Revenue, Sales and Market Share by Countries
9.3.1 Asia Pacific Over-Ear Studio Headphones Revenue in Value by Country (2018-2029)
9.3.2 Asia Pacific Over-Ear Studio Headphones Sales by Country (2018-2029)
9.3.3 China Over-Ear Studio Headphones Revenue and Growth (2018-2029)
9.3.4 Japan Over-Ear Studio Headphones Revenue and Growth (2018-2029)
9.3.5 Korea Over-Ear Studio Headphones Revenue and Growth (2018-2029)
9.3.6 India Over-Ear Studio Headphones Revenue and Growth (2018-2029)
9.3.7 Southeast Asia Over-Ear Studio Headphones Revenue and Growth (2018-2029)
9.3.8 Australia Over-Ear Studio Headphones Revenue and Growth (2018-2029)
9.4 Asia Pacific SWOT Analysis
10 South America Over-Ear Studio Headphones by Country, by Type, and by Application
10.1 South America Over-Ear Studio Headphones Revenue by Type (2018-2029)
10.2 South America Over-Ear Studio Headphones Revenue by Application (2018-2029)
10.3 South America Over-Ear Studio Headphones Revenue, Sales and Market Share by Countries
10.3.1 South America Over-Ear Studio Headphones Revenue in Value by Country (2018-2029)
10.3.2 South America Over-Ear Studio Headphones Sales by Country (2018-2029)
10.3.3 Brazil Over-Ear Studio Headphones Revenue and Growth (2018-2029)
10.3.4 Argentina Over-Ear Studio Headphones Revenue and Growth (2018-2029)
10.4 South America SWOT Analysis
11 Middle East & Africa Over-Ear Studio Headphones by Country, by Type, and by Application
11.1 Middle East & Africa Over-Ear Studio Headphones Revenue by Type (2018-2029)
11.2 Middle East & Africa Over-Ear Studio Headphones Revenue by Application (2018-2029)
11.3 Middle East & Africa Over-Ear Studio Headphones Revenue, Sales and Market Share by Countries
11.3.1 Middle East & Africa Over-Ear Studio Headphones Revenue in Value by Country (2018-2029)
11.3.2 Middle East & Africa Over-Ear Studio Headphones Sales by Country (2018-2029)
11.3.3 Turkey Over-Ear Studio Headphones Revenue and Growth (2018-2029)
11.3.4 Egypt Over-Ear Studio Headphones Revenue and Growth (2018-2029)
11.3.5 Saudi Arabia Over-Ear Studio Headphones Revenue and Growth (2018-2029)
11.3.6 UAE Over-Ear Studio Headphones Revenue and Growth (2018-2029)
11.3.7 South Africa Over-Ear Studio Headphones Revenue and Growth (2018-2029)
11.4 Middle East and Africa SWOT Analysis
12 Marketing Channel, Distributors, Traders and Dealers
12.1 Marketing Channel Status
12.1.1 Direct Marketing
12.1.2 Indirect Marketing
12.2 Over-Ear Studio Headphones Typical Distributors
12.3 Over-Ear Studio Headphones Typical Customers
12.4 Consumer Behavior Analysis
13 Over-Ear Studio Headphones Manufacturing Cost Analysis
13.1 Over-Ear Studio Headphones Key Raw Materials Analysis
13.1.1 Key Raw Materials
13.1.2 Price Trend of Key Raw Materials
13.1.3 Key Suppliers of Raw Materials
13.2 Proportion of Manufacturing Cost Structure
13.2.1 Raw Materials
13.2.2 Labor Cost
13.2.3 Manufacturing Expenses
13.3 Manufacturing Process Analysis of Over-Ear Studio Headphones
13.4 Over-Ear Studio Headphones Industrial Chain Analysis
14 Research Findings and Conclusion
15 Methodology and Data Source
15.1 A Methodology
15.1.1 Research Process
15.1.2 Market Size Estimation
15.1.3 Market Breakdown and Data Triangulation
15.2 B Data Source
15.2.1 Legal Disclaimer